22/9/10 In
the Pope's Mass in Glasgow last Thursday evening I was hugely impressed
with the music - from the traditional Be Thou My Vision to the
modern compositions of James Macmillan written specially for the occasion
- his new Gloria was particularly striking, and I suspect it will
re-surface in many Masses to come. Macmillan was interviewed that morning
on BBC 2 and spoke enthusiastically of his liturgical compositions (his
most famous is probably Veni Veni Emmanuel) and how Benedict's
own interest in music had been helpful to the Church. He was glad that
the people of Britain would get a chance to see the Holy Father for themselves,
as so often news about him was filtered through an often negative media.
On the Friday it was on to Westminster Abbey for a moving ecumenical service.
More original music for the occasion, this time from Gabriel Jackson -
his Glory Be to God was quite an inventive piece.
20/9/10
The
John Angotti concert in Vicar St last night was superb - musically
and even visually! To start with we got a support set from the Cabinteely
Gospel Group - high energy stuff, and how they filled the stage! Great
singing, fine musical backing. Definitely have to attend 12.30 Mass in
Cabinteely some Sunday. Quite a wide variety of material, though Oh
Happy Day might be a bit long in the tooth.
John Angotti and band were in top form, an could really cut loose in a
way that mightn't suit a church venue. It was great to see Vicar St full
on the night, great to see gospel music in the heart of a secular venue.
The sound was excellent - in school and in Westland Row Church the acoustics
weren't ideal. The patter between songs was entertaining, inspiring and
funny, but the music was all heart and soul, from the beautiful ballads
like By Name I Have Called You to the up-tempo and uplifting songs
like Common Ground and I Send You Out.
What a treat
it was to have John joined by the Cabinteely Gospel Group and the
2nd Chance Music Group for the last few songs. They lifted the roof, not
to mention the hearts of the audience. Next question: when is Angotti
and band coming back?
Nice also to meet some Faitharts friends!
18/9/10
Yesterday the John Angotti event in school
was brilliant. In the morning we had all the Transition Year students
in the town (about 110) in our sports hall for this faith and music event
and it was received very positively by the students. The music was excellent
as expected as was the participation by the students. And I got caught
when it was teacher participation time! The Deputy Principal, myself and
teachers from the girls' school rocked the joint! Apart from being great
fun it was very spiritual as well - praise, worship, reflection.
Tonight I went to the 2nd Chance Mass in Westland Row,
Dublin - John Angotti was providing the music along with the 2nd Chance
Music Group. I found it a very moving experience. I particularly loved
the unaccompanied Agnus Dei and the communion reflection song I
Can Only Imagine (video on left).As in school John was backed
by a cool band - thanks Matt, Dion and Grady! I'm looking forward to the
Vicar St gig tomorrow night.
16/9/10 Was
watching live coverage of the Pope's visit to the UK today - being
on the web it meant I could watch it in class with the students, which
worked really well. From the point of view of the arts the most appealing
aspect was the beautiful music at the Mass in Glasgow. I plan to use some
of that when I continue working on religious themes in music with my Transition
Year students.
I was hugely impressed - from the traditional Be Thou My Vision (as
commentator Sally Magnusson said, it can move all hearts) to the modern
compositions of James Macmillan, written specially for the occasion -
his Gloria was particularly striking, and I suspect it will surface
again many times in Masses to come. Macmillan was interviewed that morning
on BBC 2 and spoke enthusiastically of his liturgical compositions (his
most famous is probably Veni Veni Emmanuel) and how Benedict's
own interest in music had been helpful to the Church.
Tomorrow
we have US Catholic singer John Angotti in school for a faith and
music workshop - I'm really looking forward to that, but a little nervous
about the logistics! All TY students in town are coming to the morning
session, while our 1st and 2nd years will face the music in the afternoon.
When I do the music and faith module in TY I like to expose the students
to a live performance - this year they're in for a real treat.
8/9/10 Oh
well, back to school over a week now and exhausted. Surprised to see how
long it is since I added to the blog.
Starting off again with a review of the film Karol, A Man
Who Became Pope, shown on RTE 1 last Saturday. There's lots in it
that will be useful for RE class, and the follow up film is coming up
this Saturday afternoon.
The first film takes the story from the German invasion of Poland to Karol
becoming Pope. The central performance by Piotr Adamczyk is excellent
- thoughtful, convincing, often moving. Also impressive are Malgorzata
Bella as Hanna, a possible love interest for young student Karol, and
Raoul Bova as Fr Tomasz, a young priest and close friend of Karol. Any
scenes with any one or more of these three are intense and involving.
In fact it is in some of the set piece scenes that the film excels most.
There's one that's fraught with tension as Fr Tomasz is "invited" to hear
the confession of one particularly nasty Nazi, but storms out from the
dinner table after delivering a brave rebuke to the Germans present over
their treatment of Jews and their children in particular. Great scene
for illustrating themes like injustice and prejudice. All scenes between
Karol and Hanna are so credible, a lovely portrayal of friendship and
blossoming romantic love. The tensions between them, over how to react
to the German occupation (words or guns - useful moral dilemmas here)
and his growing discovery of his vocation (see clip above), are sensitively
but realistically handled. You can feel Karol's sense of mission, but
also Hanna's sense of loss. In fact the way his vocation is handled is
so well done that the relevant scenes would be very useful for covering
the theme of vocation in class.
Scenes of the Nazi cruelty and the persecution of the Jews are strong
and affecting. It could hardly be otherwise I suppose. After the World
War 2 scenes there's much more talk as the fortunes of the Church and
Polish culture are at the mercy of the godless communism of the Russians
and their puppet rulers, but this part is affecting too, with some strong
emotional moments, especially the forgiveness of a spy - very useful scenes
for Confession and forgiveness. I thought the film was less successful
when the talk was less concerned with interpersonal issues and more concerned
with politics and theology. It's not that I'm faulting the theology, but
at times the film was a tad preachy, trying to get important points across
with lumps of theology and morality that didn't flow as easily as dialogue
should.
If you missed it, it's available for less than a fiver at amazon.co.uk,
and is available in segmented form on YouTube.